It all kinda started at Christmas when my sons and I were hanging ornaments on the tree. We have an ornament that is a little electric guitar and my six-year-old son was looking at it and asked, “What’s this Dad?”
I said, “What??? It’s an electric guitar.”
To which he replied, “What’s that?”
Well, I was kinda horrified so I ran downstairs and pulled out an old hollowbody electric (that is my wife’s), an amp and I came upstairs, plugged it in and ripped into “My Generation” by The Who. Well, my one son actually climbed me in point 2 seconds and leaped off my shoulders while the other one looked like I had plugged the lights on the tree into him. They flew around the room dancing for two straight wonderful hours. I got the point. I grew up playing only electric and it was like remembering how to be free. For many reasons, it was so needed. So I got free.
The next week I headed into my studio and recorded “City Of Ghosts” and away I went. I wrote about the war and being a parent in “The Field”, two topics close to my heart. I wrote about being a teenager and how heavy that time can feel and how it can shape the path you take. So, gratitude is in there somewhere. I wrote about doubts and fear, about God and Spirit, and about hope and possibility and things that are elusive and hard to name. I wrote mostly about them, and they came into the room like angels and beasts.
This whole time I knew the record would be called Blood Of Man. I also kept hearing two phrases in my head during recording. Maybe you can decipher them, for I know not where they come from or what they mean exactly: “Do you remember when the world was young?” and “In the beginning there was blood on the lamb.” Whew.
I wrote about how hard it is to be 34 and be a parent and sane and married and true and positive and yourself and a man and funny and a decent person and a not decent person and human and in love. I turned the music up so loud so often that my ears rang every night. I wrote about death, of course. I wrote about life. I wrote about pain and addiction. And I let it flow and left it raw. I worked fast and I let my heart lead.
I guess I have come to the point in my life and my art where I just want to make music that I love and not mess with it. If people dig it: cool. If not: cool. I will be making it anyway. I have to. I realized that too. By the grace of god: I have to make music. More importantly: I get to.
Also, before anything, I am a music listener. So, this record has not been messed with in any way. What you have is exactly the music I listen to in my van and the way I have given it to my friends on CD-Rs. My hope is that it can help where help is needed. Music saved my life and I am so grateful for it. Thank you for listening. Rock.
Mason Jennings
Minnesota
01. City of Ghosts
02. Pittsburgh
03. The Field
04. Tourist
05. Black Wind Blowing
06. Ain't No Friend Of Mine
07. Sing Out
08. Sunlight
09. Lonely Road
10. Blood Of Man
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01. Never Knew Your Name
02. Something About Your Love
03. I Love You And Buddah Too
04. Fighter Girl
05. Your New Man
06. Memphis, Tennessee
07. Going Back To New Orleans
08. How Deep Is That River
09. Soldier Boy
10. My Perfect Lover
11. In Your City
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